Events

Please join us at the Coach House on Friday, September 13th, for the opening reception of our annual Artist-in-Residence exhibition! Drinks & refreshments will be provided, all are welcome.

Join us at the Coach House for a Monday Night Seminar led by CCT Director Scott Richmond. "Computing, Intimately" examines the Logo programming environment to trace a history of how computing became an intimate technology.

Join us at the Centre for Culture and Technology for a game salon! Featuring discussion and critical play-alongs of a wide variety of single and multiplayer video games, old and new, the Game Salons will run semi-regularly on Mondays, 6–8pm. Hosted by PhD candidate and Centre Graduate Research Fellow Andy Lee, these events are drop-in based, open to the public, and aimed at connecting anyone and everyone interested in the critical and/or academic study and discussion of videogames.

Brooke Belisle (Stony Brook University) researches and teaches the comparative history and theory of media aesthetics. Her work focuses on the recurrent disruptions and possibilities of “new media”, exploring emergent formats and experimental practices that echo across different periods of technological and social transformation. Her book Depth Effects: Dimensionality from Camera to Computation (2023) uses phenomenological and media-archeological methods to relate A.I.-driven techniques of computational imaging to overlooked spatial strategies of early photography.

Brooke Belisle’s current book project Seeing Stars considers how the limits of the visible world have been repeatedly recast through changing techniques and aesthetics of astronomical imaging. In this Monday Night Seminar, she will present research on episodes from the early histories of astrophotography.

Extending our hands-on, low-stakes Playtime series from the last two years, the Centre will be running Playtime: Computer Club Edition this year. This year's Computer Club will be dedicated to the theme of Computing without "AI." Across approximately monthly meetings held on Monday evenings, members will explore, demo, experiment, tinker, design, and play with ways of disconnecting from the AI hype bubble. AI products are increasingly woven throughout our devices, operating systems, and software; we want none of it. We expect to work across modalities: software demo, case study, hands-on lessons, art-making, tech talks. Nerds of all stripes are welcome here; bring your laptop, your curiosity, and your pointed rejection of (or maybe just suspicious ambivalence about) Silicon Valley's vision for computing.

In This Machine Dreams of War: Operations Research, Videogames, and the American War in Vietnam, CCT graduate research fellow Andy Lee discusses the ways information theory and operations research influenced American military doctrine during the war in Vietnam, shaping everything from the chain of command to the conception of the battlefield as a space for warfare. Focused analysis on the military simulation (milsim) game ARMA III: S.O.G. Prairie Fire considers the ways that Vietnam as a space is simulated according to a militaristic way of seeing that subtends a variety of computational media today.

Andy Lee is a PhD candidate at the Cinema Studies Institute and a graduate research fellow at the Centre for Culture and Technology. Her research focuses broadly on new media and the history of computation, with a theoretical focus on spatiality and embodiment in video games. Her dissertation investigates the relationship between the United States military and the video game industry, analyzing how military simulation games articulate logics of spatial simulation that are inherited from their origins as military training software.

Join us at the Centre for Culture and Technology for a game salon! Featuring discussion and critical play-alongs of a wide variety of single and multiplayer video games, old and new, the Game Salons will run semi-regularly on Mondays, 6–8pm. Hosted by PhD candidate and Centre Graduate Research Fellow Andy Lee, these events are drop-in based, open to the public, and aimed at connecting anyone and everyone interested in the critical and/or academic study and discussion of videogames.

The Centre for Culture and Technology is delighted to host Observance, an exhibition of artwork by Jason Burton.

The exhibition will be on display at the Coach House from December 4th-14th. During gallery/open studio hours, the artist will be present and working in the space. All are welcome to drop in with their own art materials to work alongside each other!

Gallery / Open Studio Hours:

• Wednesday December 4th: 1:00-6:00PM
• Thursday December 5th: 1:00-6:00PM
• Friday December 6th: 5:00-8:00PM - Opening Reception
• Saturday December 7th: 1:00-6:00PM
• Tuesday December 10th - Saturday December 14th: 1:00-6:00PM

The Centre for Culture and Technology is delighted to host Observance, an exhibition of artwork by Jason Burton.

Please join us for an opening reception with refreshments from 5:00-8:00PM on Friday, December 6th. All are welcome, RSVP on Eventbrite is appreciated.

The exhibition will be on display at the Coach House from December 4th-14th. During gallery/open studio hours, the artist will be present and working in the space. All are welcome to drop in with their own art materials to work alongside each other!

Please join us at the Coach House from 6PM-8PM on Monday, January 20th, for a book launch of Output: An Anthology of Computer-Generated Text, 1953-2023, edited by Lillian-Yvonne Bertram and Nick Montfort (MIT Press, 2024).

Featuring co-editor Nick Montfort in conversation with multimedia artist Matt Nish-Lapidus, and readings from the book by Nick, Matt, and contributor Kavi Duvvoori, with a Q&A to follow. Copies of the book will be available for purchase at the event.

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Join us at the Centre for Culture and Technology for a game salon! Featuring discussion and critical play-alongs of a wide variety of single and multiplayer video games, old and new, the Game Salons will run semi-regularly on Mondays, 6–8pm. Hosted by PhD candidate and Centre Graduate Research Fellow Andy Lee, these events are drop-in based, open to the public, and aimed at connecting anyone and everyone interested in the critical and/or academic study and discussion of videogames.

Join us at the Coach House for a Monday Night Seminar led by CCT graduate research fellow Cole Armitage:

"Indexing Dimensions: Animation and Performance in the Virtual YouTuber Media Mix"

Cole Armitage's research investigates the phenomenon of Virtual YouTubers, or “VTubers” – anime-style characters or personas that are brought to life through motion-tracking technology on livestreaming platforms like YouTube or Twitch. He explores VTubing as a form of mediated presence and performance emerging at livestreaming’s encounter with the Japanese anime media mix, and focuses on the way in which the technological, performative, and labour conditions in which VTubing occurs, from improvisation to unmuted microphones, unsettle and reshape the way that the IP-based personages populating the anime media ecology relate to the performing bodies which bring them to life.

Science fiction novelist, journalist and technology activist Cory Doctorow presents the 2025 Ursula Franklin Lecture:

"With Great Power Came No Responsibility: How Enshittification Conquered the 21st Century and How We Can Overthrow It"

Held each year at Innis College's Town Hall, the Franklin Lecture features invited scholars who bring the critical study of science, media and politics to bear in their visions of new political futures. This is a collaborative venture cosponsored by the Centre for Culture and Technology, the Centre for the Study of the United States, the Department of Social Justice Education, Innis College's Writing and Rhetoric Program, and the Knowledge Media Design Institute.

Please note: The lecture will be viewable online via live-stream: https://vimeo.com/event/4945872

An all-day event (9AM-4:30PM) celebrating 25 years of the publication of Cyber-Marx (1999) by Nick Dyer-Witheford.

How to think about Cyber-Marx 25 years after its publication? What does cyber-Marxism look like today? In dialogue with the Witheford, +20 researchers will provide provocations and updates on cyber-Marxist concepts.

Copies of Witheford's latest book Cybernetic Circulation Complex: Big Tech and Planetary Crisis (Verso, 2025), co-authored with Alessandra Mularoni, will also be available.

Join us at the Centre for Culture and Technology for a game salon! Featuring discussion and critical play-alongs of a wide variety of single and multiplayer video games, old and new, the Game Salons will run semi-regularly on Mondays, 6–8pm. Hosted by PhD candidate and Centre Graduate Research Fellow Andy Lee, these events are drop-in based, open to the public, and aimed at connecting anyone and everyone interested in the critical and/or academic study and discussion of videogames.

Presented by the Institute of Communication, Culture, Information and Technology (U of T Mississauga). The screening will be followed by a Q&A with filmmaker Dominic Gagnon.

Led by Lauren Cramer (U of T, Cinema Studies Institute):

We Outside! Plans for "Stolen Life"

Drawn largely from a personal experience of trying to write about black space during the COVID-19 pandemic lockdowns, this talk acknowledges that there are ample reasons to stay Inside; still, it extends an invitation for listeners to join the black gatherings Outside. In dangerous times, black spatial practices often willfully reject the “safety” provided indoors—a simple search of the hashtag #WeOutside confirms as much. While subjects vary and are certainly closer than they appear, this phrase, used sometimes as an ad lib in rap songs or to caption social media posts, refers to the space where black sociality refuses a place in the overbuilt environment. Not to be confused with the outside that is free (a place we imagine as untouched by the concerns of property) Internet memes rightly caution, “Outside is expensive.” Facing the high cost of living Outside, particularly when compared to an alternative that offers to free us from the risks associated with spatial and aesthetic sensitivity, this talk draws from hip-hop visual culture, Internet humor, modes of black abstraction, and the lessons learned in times of crisis to draft plans for, what Fred Moten calls, “stolen life” Outside.

A book launch event for Vantage Points: On Media as Trans Memoir (Arsenal Pulp Press, 2024). With filmmaker and author Chase Joynt, in conversation with artist and scholar æryka jourdaine hollis o’neil (U of T, Cinema Studies Institute).

Copies of the book will be available for purchase at the event - cash only, $20.

A book launch event for Geosonics: Listening Through Earth's Soundscapes (Bloomsbury, 2024) by Josh Dittrich (U of T, ICCIT). Featuring the author in conversation with artist and scholar Mitchell Akiyama (U of T, Daniels).

How do we listen to the earth? Working across sound studies, media theory, and environmental media studies, Geosonics explores the material and metaphorical geology of the sonic environment. Listening does not take place in a pre-existing soundscape, but makes place as mutually constitutive sets of relations between listeners, media, and environments. Joining earth-scale sounds and everyday listening, Geosonics argues for the centrality of sound and listening in conceptualizing contemporary environmental crisis.

Led by CCT Faculty Fellow Patrick Keilty (U of T, Faculty of Information):

“Provenanced Aesthetics: Archival Contrivance in Dawson City: Frozen Time”

Archives are never simply a place where moving images are stored and preserved as a site for historical accumulation, material abeyance, and administrative power. Instead, through a close reading of sound and editing, this talk argues that 𝘋𝘢𝘸𝘴𝘰𝘯 𝘊𝘪𝘵𝘺: 𝘍𝘳𝘰𝘻𝘦𝘯 𝘛𝘪𝘮𝘦 (Dir. Bill Morrison, 2016) reframes provenance as an aesthetic contrivance and an act of continuous creation that reminds us of history’s instability.

Join us at the Centre for Culture and Technology for a game salon! Featuring discussion and critical play-alongs of a wide variety of single and multiplayer video games, old and new, the Game Salons will run semi-regularly on Mondays, 6–8pm. Hosted by PhD candidate and Centre Graduate Research Fellow Andy Lee, these events are drop-in based, open to the public, and aimed at connecting anyone and everyone interested in the critical and/or academic study and discussion of videogames.

The Centre for Culture and Technology presents its second annual Fellows Day conference. This conference convenes our 2024-25 Artist-in-Residence, Lucas LaRochelle, exhibition curator Talia Golland, and our Visiting Faculty Fellows: Kris Paulsen (Ohio State University), John-Thomas Tremblay (York University), and Hannah Zeavin (UC Berkeley).

Following talks by the artist and the curator reflecting on LaRochelle's solo exhibition Sometimes I forget what feeling felt like because I was never there when it happened at the Centre in fall 2024, the Fellows will present new scholarship engaging with the Centre's annual programming theme, "Absent Here, Present There", in conversation with the artwork.

Afterwards, come celebrate with food and drink at our closing reception on the patio of the U of T Faculty Club!

Following the Fellow's Day conference, please join us at the U of T Faculty Club (41 Willcocks St.) for a celebratory reception! Food & drink will be served. Come by between 6:30-8:30PM; no registration required.

A film screening of It's Not Brakhage (2024), a feature-length parafiction film by Toronto-based artist and filmmaker Miles Rufelds. The screening will be followed by a Q&A with the filmmaker, moderated by CCT director Scott Richmond.

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Led by guest scholar Michael Richardson (UNSW Sydney), who will present a talk on his book Nonhuman Witnessing: War, Data & Ecology after the End of the World (Duke, 2024). The book will be available for purchase at the event.

Dismantling the primacy of traditional human-based forms of witnessing is crucial if we are to reckon with an era of technoscientific war, ecological catastrophe, and technological capture. Media and mediation are central to these intersecting crises—and to the human capacity to build new ways of knowing and being after the end of the world. In this talk, Michael Richardson shows how ecological, machinic, and algorithmic forms of witnessing can help u sbetter understand and respond. By shaking loose the human grip on witnessing, alternative and pluriversal communicative politics become possible. To illustrate this potential, this talk examines the mediations, affects, and communicative relations of nonhuman witnessing across an array of sites, from nuclear testing on First Nations land to autonomous drone warfare to algorithmic investigative tools.

*Please note that due to the holiday long weekend, this seminar will be held on a Tuesday.

Canada’s earliest born-digital artworks were long thought lost to contemporary audiences until they were recovered by a cross-country team of digital art archaeologists. On Friday, April 25, 2025, these artworks, made using the little-known Canadian technology Telidon, can be viewed as part of theonline exhibition Remember Tomorrow: A Telidon Story, presented by InterAccess. The exhibition was developed with funding from the Digital Museums Canada investment program and design leadership from Toronto-based agency, Tennis.

To mark its launch, The Centre for Culture and Technology is hosting a reception with InterAccess. The event will include a conversation hosted by Remember Tomorrow curator, Shauna Jean Doherty, with CCT director Scott Richmond and media artist Matt Nish-Lapidus, on the significance of Telidon on the wider telecommunications sector in Canada, with a screening of video interviews included in the online exhibition featuring artists, Douglas Porter, Nell Tenhaaf, and Paul Petro as well as librarian and Telidon art restorer John Durno.

This event will be in-person at the CCT's Coach House, and streamed on youtube:

LIVESTREAM LINK

Please join us at the Coach House on Friday, September 5th, for the opening reception of ERROAR!, a solo exhibition by our 2025-26 Artist-in-Residence Xuan Ye. Drinks & refreshments will be provided, all are welcome.

The Centre for Culture and Technology is delighted to announce ERROAR!, a solo exhibition by 2025 Artist-in-Residence Xuan Ye.

Produced as part of the fourth annual Artist-in-Residence Program and curated by Talia Golland, this project responds to the Centre’s 2025–2026 programming theme “Artificial Stupidity,” which engages the politics, aesthetics, and economics of machine learning to put pressure on the construction of these technologies as “artificial intelligence.”

The exhibition will be on view at the Centre's Coach House from September 5 through October 24, 2025, with gallery hours held 1PM-5PM on Wednesdays, Thursdays, and Fridays, and 12PM-4PM Saturdays and Sundays.

A performance-lecture by 2025-26 Artist-in-Residence Xuan Ye, held on-site in their solo exhibition ERROAR! at the Centre's Coach House.

You can imagine the challenge and joy of cooking from scratch; how about computing from scratch? In this workshop, we’ll use drawing, origami, and other art techniques to make paper-based computing tools. Develop a more intuitive sense for how logic operators and algorithms behave, then design your own to solve problems, encode information, draw pictures, or make games. All are welcome—no arts or coding experience necessary!

This workshop is one of four offered this academic year by the Centre’s Luddite-in-Residence, Toronto-based educator and artist Jason Burton, over the course of this year. These workshops run in parallel with the Convivial Computing reading group, but are open to all members of the community.

Registration is necessary to ensure sufficient materials and space for participants. Space is limited; we ask that you register only if you plan to attend. Register by 11:59pm on Friday, October 3.

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Artist-in-Residence Xuan Ye leads a casual  tour of their solo exhibition ERROAR! at the Centre's Coach House, from 2PM-3PM.

You can imagine the challenge and joy of cooking from scratch; how about computing from scratch? In this workshop, we’ll use drawing, origami, and other art techniques to make paper-based computing tools. Develop a more intuitive sense for how logic operators and algorithms behave, then design your own to solve problems, encode information, draw pictures, or make games. All are welcome—no arts or coding experience necessary!

This workshop is one of four offered this academic year by the Centre’s Luddite-in-Residence, Toronto-based educator and artist Jason Burton, over the course of this year. These workshops run in parallel with the Convivial Computing reading group, but are open to all members of the community.

Registration is necessary to ensure sufficient materials and space for participants. Space is limited; we ask that you register only if you plan to attend.

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𝘱𝘦𝘯𝘶𝘱! () 𝘱𝘦𝘯𝘥𝘰𝘸𝘯! () is an exhibition of generative experimental drawings made by eight artists: Kit Chokly, Jules Dufresne, Kavi Duvvoori, Husna Farooqui, Sinéad Horan, Daniel Jackson, Alex Neufeldt, and Scott Richmond. These works were created during "Computer Class",  the Centre for Culture and Technology’s critical, creative, and historical computing institute.

Join us at the Centre of Technology’s Coach House for an exhibition opening reception. The event will include an introduction to Computer Class and Ludus, live coding and mechanical plotting, and several of the featured artists.

Led by guest scholar Shane Denson (Film and Media Studies, Stanford):

"Bride of Frankenstein, minute-by-minute"

A talk related to his new book Bride of Frankenstein (Lever Press, 2025), the inaugural volume in the publisher’s film|minutes series. The book offers a close, minute-by-minute analysis of director James Whale’s iconic 1935 masterpiece Bride of Frankenstein. Alternating between a variety of analytical lenses, including descriptive, historical, and philosophical, this study breaks from conventional forms of film-analytical writing and offers an experiment in defamiliarization and looking anew.

"Bespoke Encodings: Considering the value of radicallypersonal visualization practices", a talk by guest scholar Jaime Snyder (Information School, University of Washington).

“Bad Actors: Acting, AI & the New Avant-Gardes", a Monday Night Seminar led by Sarah Bay-Cheng (Centre for Drama, Theatre & Performance Studies).

Wood, steel, linen, marble... polyethylene terephthalate? As engineered materials, do plastics have a place in conversations about material tradition and craft technique? This workshop will begin with a "natural history" of plastics, leading us to the classifications and properties of common plastic varieties. We'll learn what methods do (and don't!) work to repair or transform familiar plastic materials. The second phase of the workshop is a guided studio for applying what we learn to repairing, designing, and tinkering. We'll provide a variety of plastics and the tools for working them, but do consider bringing an easily-carried plastic item of your own.

This workshop is one of four offered by the Centre’s Luddite-in-Residence, Toronto-based educator and artist Jason Burton, over the course of this academic year. Open to all members of the community.

"There's a Great Future in Plastics" will run twice, on Monday February 2 and on Monday March 2, from 6PM-6PM. Each date is a new, single session of the workshop.

Registration is necessary to ensure sufficient materials and space for participants. Space is limited; we ask that you register only if you plan to attend.

Led by CCT Graduate Fellow Ben Pulver, PhD candidate in Art History and a Junior Fellow at Massey College:

"In 1971, the French cybernetician Abraham Moles wrote a book on art and computers (Art et Ordinateur), speculating about the possibilities inherent in the new medium to “set the artist free.” The same year, Moles edited and contributed introductory texts to the first serigraph computer art portfolio (Art Ex Machina) and published a book on kitsch (Le kitsch: l'art du bonheur). Despite this simultaneous work, the relationship between computer art and kitsch remained unconnected in Moles’ project. Thinking more recently, the term ‘AI slop’ has become a popular way to designate those ‘sloppy’ generated images that flood our contemporary visual culture. My talk at the Centre for Culture and Technology asks how we can think about this history of the sloppy, garish, or trashy ‘kitsch’ image, its politics and relationship to the emergence of early computer art."

The Centre for Culture and Technology's Research-Creation Group works at the intersection of creative practice and scholarly research, fostering practice-oriented inquiry among graduate students in different fields. During monthly meetings, they critically engage with work-in-progress presentations, cultivating interdisciplinary exchange and peer feedback-driven collaboration.

In this Monday Night Seminar, group members will present their projects-in-process through a program of talks and video screenings.

‍GLITCH / STITCH / RESIST: A Research Creation Salon is a two-day, interdisciplinary culture and technology-focused symposium event sponsored by the Centre for Culture and Technology, Creative Labour and Critical Futures Cluster, and Faculty of Information. In light of the growing legitimization of practice-based research methods (artistic research, research-creation, performance research, auto-ethnography) across campuses at the University of Toronto, this Salon will give attendees the opportunity to be in conversation and in community with fellow research-creation practitioners and collectively reflect on the diverse ways they are being applied across disciplinary contexts. Hosted on St. George campus on February 26th and 27th, 2026, its events will include a community dreaming workshop, networking opportunities, a keynote presentation, and panels for graduate students to share works in progress. Come join us!

Wood, steel, linen, marble... polyethylene terephthalate? As engineered materials, do plastics have a place in conversations about material tradition and craft technique? This workshop will begin with a "natural history" of plastics, leading us to the classifications and properties of common plastic varieties. We'll learn what methods do (and don't!) work to repair or transform familiar plastic materials. The second phase of the workshop is a guided studio for applying what we learn to repairing, designing, and tinkering. We'll provide a variety of plastics and the tools for working them, but do consider bringing an easily-carried plastic item of your own.

This workshop is one of four offered by the Centre’s Luddite-in-Residence, Toronto-based educator and artist Jason Burton, over the course of this academic year. Open to all members of the community.

"There's a Great Future in Plastics" will run twice, on Monday February 2 and on Monday March 2, from 6PM-6PM. Each date is a new, single session of the workshop.

Registration is necessary to ensure sufficient materials and space for participants. Space is limited; we ask that you register only if you plan to attend.

Led by CCT Graduate Fellow Mathew Iantorno, PhD Candidate in the Faculty of Information. His research explores how retail automation transforms labour practices, consumer responsibility, and public space. Throughout, he explores the long history of artificial intelligence, connecting modern digital platforms with vending machines, automats, and self-service stores.

"Iterative Aesthetics", a Monday Night Seminar led by CCT Director Scott Richmond:

In this lecture-performance, Scott Richmond presents his own creative coding & graphic works. This event will be part artist talk, part scholarly research in the history of computing, part digital theory, and part creative coding lesson. We'll talk about thirteenth-century Scandanavian monks, 1970s computer education, census tables, the Manhattan project, Vera Molnár, Sol LeWitt, Alvin Lucier, and psychoanalysis.

A program of short films presented by Open Secret, a touring internet cinema screening series. Featuring video works by Dana Dawud, Angie Rose Cabarios, Grace Helen, Mimi Bowman, Zarina Nares, and Redacted Cut.

"Artificial Tumescence: AI's Porn Fantasies", a talk by CCT Faculty Fellow Patrick Keilty (Faculty of Information, Cinema Studies):

Unstable Diffusion's repository of AI pornography collapses distinctions between creator and consumer in our engagement with pornography and replicate models of capitalist exchange value.

In this year's final Luddite workshop, we'll shift from experimenting with materials to experimenting with strategies. The Luddites were textile craftspeople who relied on some systems of technology, and rejected others; what was their method of discernment? What guided their strategies for resistance? How did they formulate and carry out their actions? We'll use what we learn to imagine practices of principled refusal that fit our own lives.

This workshop is one of four offered by the Centre’s Luddite-in-Residence, Toronto-based educator and artist Jason Burton, over the course of this academic year. Open to all members of the community.

Space is limited; we ask that you register only if you plan to attend.

It’s familiar to say that art “moves” us, implying an experience in the realm of personal, private mood and emotion. What more can we understand about the force and direction of art - it’s power to hone awareness, sustain curiosity, deepen emotional capacity, carry histories, foster sincere connection, and mobilize community-building? We’ll use discussion, skill-building exercises, and even a bit of role play to explore the transformative nature of art through the lenses (and scopes) of personal practice and Museum Studies.

Workshop facilitated by Rebekka Parker (Clyfford Still Museum, Denver, CO) and Jason Burton (CCT Luddite-in-Residence.)

Unstill Image | Arief Budiman, Clint Enns, Çiçek Kahraman, Elisabeth Subrin, Sofia Dona, & Zeynep Dadak

Curated by Alper Turan

𝘈 𝘴𝘰𝘷𝘦𝘳𝘦𝘪𝘨𝘯 𝘨𝘢𝘻𝘦 𝘢𝘭𝘸𝘢𝘺𝘴 𝘧𝘪𝘹𝘦𝘴 𝘶𝘴 𝘸𝘪𝘵𝘩𝘪𝘯 𝘢 𝘴𝘪𝘯𝘨𝘭𝘦 𝘧𝘳𝘢𝘮𝘦, 𝘰𝘯𝘦 𝘴𝘩𝘰𝘵, 𝘢 𝘤𝘢𝘱𝘵𝘶𝘳𝘦—𝘪𝘯 𝘵𝘩𝘦 𝘱𝘳𝘪𝘴𝘰𝘯 𝘤𝘦𝘭𝘭, 𝘰𝘯 𝘵𝘩𝘦 𝘣𝘰𝘳𝘥𝘦𝘳 𝘴𝘩𝘰𝘳𝘦𝘭𝘪𝘯𝘦 𝘶𝘯𝘥𝘦𝘳 𝘸𝘢𝘵𝘤𝘩, 𝘵𝘩𝘦 𝘴𝘵𝘳𝘦𝘦𝘵 𝘪𝘯 𝘳𝘦𝘷𝘰𝘭𝘵, 𝘰𝘳 𝘵𝘩𝘦 𝘤𝘪𝘵𝘺 𝘶𝘯𝘥𝘦𝘳 𝘣𝘰𝘮𝘣𝘢𝘳𝘥𝘮𝘦𝘯𝘵. 𝘛𝘩𝘦 𝘸𝘰𝘳𝘬𝘴 𝘪𝘯 𝘜𝘯𝘴𝘵𝘪𝘭𝘭 𝘐𝘮𝘢𝘨𝘦 𝘣𝘰𝘵𝘩 𝘴𝘶𝘣𝘮𝘪𝘵 𝘵𝘰 𝘢𝘯𝘥 𝘴𝘢𝘣𝘰𝘵𝘢𝘨𝘦 𝘵𝘩𝘢𝘵 𝘤𝘢𝘱𝘵𝘶𝘳𝘦. 𝘏𝘦𝘳𝘦, 𝘷𝘪𝘴𝘪𝘰𝘯 𝘪𝘴 𝘣𝘭𝘶𝘳𝘳𝘦𝘥, 𝘴𝘢𝘵𝘶𝘳𝘢𝘵𝘦𝘥, 𝘸𝘪𝘵𝘩𝘥𝘳𝘢𝘸𝘯, 𝘰𝘳 𝘣𝘭𝘢𝘤𝘬𝘦𝘥 𝘰𝘶𝘵 𝘢𝘭𝘵𝘰𝘨𝘦𝘵𝘩𝘦𝘳: 𝘢 𝘤𝘪𝘯𝘦𝘮𝘢𝘵𝘪𝘤 𝘳𝘦𝘩𝘦𝘢𝘳𝘴𝘢𝘭 𝘰𝘧 𝘧𝘳𝘦𝘦𝘥𝘰𝘮; 𝘴𝘪𝘨𝘩𝘵 𝘯𝘢𝘳𝘳𝘰𝘸𝘦𝘥 𝘣𝘺 𝘦𝘹𝘪𝘭𝘦; 𝘱𝘦𝘳𝘤𝘦𝘱𝘵𝘪𝘰𝘯 𝘵𝘰𝘳𝘯 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘸𝘩𝘢𝘵 𝘩𝘢𝘱𝘱𝘦𝘯𝘴 𝘰𝘯 𝘵𝘩𝘦 𝘴𝘵𝘳𝘦𝘦𝘵 𝘢𝘯𝘥 𝘸𝘩𝘢𝘵 𝘪𝘴 𝘱𝘳𝘰𝘫𝘦𝘤𝘵𝘦𝘥 𝘰𝘯 𝘵𝘩𝘦 𝘴𝘤𝘳𝘦𝘦𝘯; 𝘢𝘯 𝘢𝘤𝘵𝘳𝘦𝘴𝘴 𝘸𝘩𝘰 𝘸𝘪𝘵𝘩𝘩𝘰𝘭𝘥𝘴 𝘩𝘦𝘳 𝘪𝘮𝘢𝘨𝘦; 𝘢𝘯𝘥 𝘧𝘪𝘯𝘢𝘭𝘭𝘺, 𝘵𝘩𝘦 𝘪𝘮𝘢𝘨𝘦’𝘴 𝘥𝘪𝘴𝘢𝘱𝘱𝘦𝘢𝘳𝘢𝘯𝘤𝘦 𝘪𝘯𝘵𝘰 𝘢 𝘣𝘭𝘢𝘤𝘬 𝘧𝘪𝘦𝘭𝘥 𝘵𝘩𝘢𝘵 𝘭𝘦𝘢𝘷𝘦𝘴 𝘰𝘯𝘭𝘺 𝘪𝘮𝘢𝘨𝘪𝘯𝘢𝘵𝘪𝘰𝘯. 𝘞𝘩𝘦𝘯 𝘱𝘰𝘸𝘦𝘳 𝘳𝘦𝘥𝘶𝘤𝘦𝘴 𝘦𝘢𝘤𝘩 𝘰𝘧 𝘶𝘴 𝘵𝘰 𝘢 𝘴𝘪𝘯𝘨𝘭𝘦 𝘧𝘳𝘢𝘮𝘦, 𝘤𝘢𝘯 𝘸𝘦 𝘮𝘰𝘷𝘦 𝘰𝘶𝘵 𝘰𝘧 𝘪𝘵 𝘵𝘰𝘨𝘦𝘵𝘩𝘦𝘳 𝘣𝘺 𝘮𝘰𝘷𝘪𝘯𝘨 𝘸𝘪𝘵𝘩 𝘮𝘰𝘷𝘪𝘯𝘨 𝘪𝘮𝘢𝘨𝘦𝘴?

Screening at Innis College, 2 Sussex Ave

Co-presented with Centre for Culture and Technology at University of Toronto

Visit imagesfestival.com for a full description of this program and more information!

Feral Vision | Brandon Poole, Carlo Nasisse,Quenton Miller, Richard Ibghy & Marilou Lemmens

Curated by Alper Turan

𝘞𝘩𝘢𝘵 𝘥𝘰𝘦𝘴 𝘪𝘵 𝘮𝘦𝘢𝘯 𝘵𝘰 𝘸𝘢𝘵𝘤𝘩 𝘴𝘰𝘮𝘦𝘰𝘯𝘦 𝘦𝘭𝘴𝘦’𝘴 𝘸𝘢𝘵𝘤𝘩𝘪𝘯𝘨—𝘦𝘴𝘱𝘦𝘤𝘪𝘢𝘭𝘭𝘺 𝘸𝘩𝘦𝘯 𝘵𝘩𝘢𝘵 “𝘴𝘰𝘮𝘦𝘰𝘯𝘦” 𝘪𝘴 𝘢𝘯 𝘦𝘢𝘨𝘭𝘦, 𝘢 𝘤𝘰𝘤𝘬𝘢𝘵𝘰𝘰, 𝘢 𝘧𝘰𝘳𝘦𝘴𝘵 𝘰𝘧 𝘶𝘯𝘴𝘦𝘦𝘯 𝘣𝘪𝘳𝘥𝘴, 𝘪𝘯𝘴𝘦𝘤𝘵𝘴, 𝘮𝘢𝘳𝘪𝘯𝘦 𝘤𝘳𝘦𝘢𝘵𝘶𝘳𝘦𝘴, 𝘰𝘳 𝘮𝘢𝘯𝘺 𝘯𝘰𝘯𝘩𝘶𝘮𝘢𝘯 𝘦𝘺𝘦𝘴 𝘸𝘩𝘰𝘴𝘦 𝘸𝘢𝘺𝘴 𝘰𝘧 𝘴𝘦𝘦𝘪𝘯𝘨 𝘦𝘹𝘤𝘦𝘦𝘥 𝘸𝘩𝘢𝘵 𝘰𝘶𝘳 𝘰𝘸𝘯 𝘷𝘪𝘴𝘪𝘰𝘯, 𝘢𝘯𝘥 𝘰𝘶𝘳 𝘤𝘢𝘮𝘦𝘳𝘢𝘴, 𝘤𝘢𝘯 𝘦𝘷𝘦𝘳 𝘧𝘶𝘭𝘭𝘺 𝘤𝘢𝘱𝘵𝘶𝘳𝘦? 𝘍𝘦𝘳𝘢𝘭 𝘝𝘪𝘴𝘪𝘰𝘯 𝘨𝘢𝘵𝘩𝘦𝘳𝘴 𝘸𝘰𝘳𝘬𝘴 𝘵𝘩𝘢𝘵 𝘵𝘳𝘰𝘶𝘣𝘭𝘦 𝘵𝘩𝘦 𝘴𝘵𝘢𝘣𝘪𝘭𝘪𝘵𝘺 𝘰𝘧 𝘵𝘦𝘴𝘵𝘪𝘮𝘰𝘯𝘺 𝘣𝘺 𝘴𝘩𝘪𝘧𝘵𝘪𝘯𝘨 𝘰𝘶𝘳 𝘢𝘵𝘵𝘦𝘯𝘵𝘪𝘰𝘯 𝘵𝘰 𝘱𝘦𝘳𝘤𝘦𝘱𝘵𝘪𝘰𝘯 𝘪𝘵𝘴𝘦𝘭𝘧: 𝘩𝘰𝘸 𝘣𝘦𝘪𝘯𝘨𝘴 𝘳𝘦𝘨𝘪𝘴𝘵𝘦𝘳 𝘵𝘩𝘦 𝘸𝘰𝘳𝘭𝘥, 𝘩𝘰𝘸 𝘵𝘩𝘰𝘴𝘦 𝘳𝘦𝘨𝘪𝘴𝘵𝘳𝘢𝘵𝘪𝘰𝘯𝘴 𝘢𝘳𝘦 𝘳𝘦𝘮𝘦𝘮𝘣𝘦𝘳𝘦𝘥, 𝘵𝘳𝘢𝘯𝘴𝘭𝘢𝘵𝘦𝘥, 𝘢𝘯𝘥 𝘮𝘪𝘴-𝘵𝘳𝘢𝘯𝘴𝘭𝘢𝘵𝘦𝘥, 𝘢𝘯𝘥 𝘩𝘰𝘸 𝘮𝘰𝘷𝘪𝘯𝘨 𝘪𝘮𝘢𝘨𝘦𝘴 𝘮𝘦𝘵𝘢𝘣𝘰𝘭𝘪𝘻𝘦 𝘵𝘩𝘦𝘴𝘦 𝘧𝘳𝘢𝘨𝘪𝘭𝘦 𝘢𝘤𝘤𝘰𝘶𝘯𝘵𝘴 𝘪𝘯𝘵𝘰 𝘴𝘰𝘮𝘦𝘵𝘩𝘪𝘯𝘨 𝘸𝘦 𝘤𝘢𝘯 𝘢𝘭𝘮𝘰𝘴𝘵—𝘣𝘶𝘵 𝘯𝘦𝘷𝘦𝘳 𝘧𝘶𝘭𝘭𝘺—𝘨𝘳𝘢𝘴𝘱. 𝘞𝘩𝘢𝘵 𝘩𝘢𝘱𝘱𝘦𝘯𝘴 𝘸𝘩𝘦𝘯 𝘵𝘩𝘦 𝘮𝘰𝘷𝘪𝘯𝘨 𝘪𝘮𝘢𝘨𝘦 𝘵𝘳𝘪𝘦𝘴 𝘵𝘰 𝘪𝘯𝘩𝘢𝘣𝘪𝘵 𝘵𝘩𝘢𝘵 𝘱𝘦𝘳𝘤𝘦𝘱𝘵𝘪𝘰𝘯 𝘣𝘺 𝘱𝘳𝘰𝘹𝘺?

Screening at Innis College, 2 Sussex Ave

Co-presented with Centre for Culture and Technology at University of Toronto

Visit imagesfestival.com for a full description of this program and more information!