HOW MEDIA COUNT
Simone Jones, Timation (2023). HD video still. Courtesy of the artist.
The Centre for Culture and Technology is delighted to announce How Media Count, a solo exhibition by Simone Jones. Produced as part of the second annual Artist-in-Residence Program, this project responds to the Centre’s 2023-2024 programming theme of the same name, which engages questions of quantification, datafication, numbering, and counting in media.
About the Exhibition
In How Media Count, Simone Jones assembles a collection of works which probe “counting media” from historical, material, and metaphysical perspectives. Through photography, video, performance, printmaking, and sculpture, Jones thinks through and with the paradoxes that arise when we attempt to reconcile abstraction with experience.
Two physical prompts provide entry to this inquiry, through which Jones examines the development of precision and standardization in the language and history of machining: the surface plate and the meter bar. The surface plate is a flat plane which serves as the primary horizontal reference within machine practice. All other precision machine tools are created from the surface plate, a fundamental baseline for dimensional measurement. The “Meter Bar #27” was the US standard of all length measurement until its replacement with a wavelength in 1960. The “Meter Bar #27” could not have been fabricated without the invention of the surface plate, and can be considered a material manifestation of an abstract quantity.
How Media Count also considers some of the key physical substances that underpin the historical and political evolution of counting media – magnetic cores, quartz crystal, and silicon. These materials are both integral and usually invisible within our contemporary digital environment. Jones’ exhibition also serves as the starting point for this year’s programming at the Centre, setting in motion historical and conceptual inquiry into the ways our contemporary media count and compute.
Throughout the exhibition, time and space emerge as integral players in our need to quantify experience. As such, Jones positions counting at the intersection of perception, memory, and abstraction.
About the Artist
Simone Jones is a multidisciplinary artist who works with the moving image, sculpture, programming, and electronics to explore shifting relationships between time and space. A key component of these investigations is the performative nature of the work itself. Jones’ works uncover the tensions that can arise between illusion and reality as they apply to modes of perception, representation, and the body. Jones graduated from the Ontario College of Art (OCA) with a concentration in Experimental Art and received her MFA in Sculpture Installation from York University in Toronto. Jones is a Professor in the Integrated Media program at OCAD University.
Plan your visit
The exhibit will run from September 8-October 14, 2022 and is open to the public during the following days:
We are closed Sundays-Wednesdays.
The Centre for Culture and Technology is located at 39A Queens Park Crescent East, on the U of T St. George campus, in a parking lot. Unfortunately, the Coach House building is not currently accessible: the washroom is located on the second floor with stair access only. There is an accessible washroom 5 minutes away in the Kelly Library.